22 Apr 2016
12 Jun 2016

PIERRE GUYOTAT, LA MATIÈRE DE NOS OEUVRES

GALERIE AZZEDINE ALAÏA

Azzedine Alaïa is pleased to present the exhibition Pierre Guyotat, La matière de nos oeuvres, highlighting the outstanding vitality of the great French author’s creation.

The exhibition is placed in the framework of a series of manifestations designed to feature the strength of Pierre Guyotat’s work across 2016, bringing together with the Galerie Azzedine Alaïa the legendary journal Critique, which devoted him a special issue, France’s leading theatre l’Odéon, and four major publishers in France, Switzerland, and the United Kingdom, including Pierre Guyotat’s main publisher Gallimard, which will publish two major new works. This exhibition brings to the

public the great manuscripts of the oeuvre, with the exceptional contribution of the Bibliothèque nationale de France, which lent them: they are fascinating visual documents, crossed out, organised around colours, and witness the visionary energy of a poet who considered being a painter.

Admiring artists take on each of those manuscripts and place them in dialogue with one of their works; artists close to the author participate in this project, such as Bernard Dufour, Eric Rondepierre, and Klaus Rinke ; others known for their admiration, such as Daniel Buren and Jean-Luc Moulène, and artists who follow the work in the secret of their studio: Miquel Barceló, Cerith Wyn Evans, Paul McCarthy, Christoph von Weyhe ; and a whole generation who grew up reading this work -

Juliette Blightman from London, Elijah Burgher from Chicago, Michael Dean from Leeds. Pierre Guyotat also generously lent to the exhibition drawings made by him – precious images created for the occasion, which will be shown for the first time. What comes out of it is the unique fertility of a manifold oeuvre– a true creative universe, a resource open for all.

Autoportrait photographique de Pierre Guyotat avant son arrestation (été 1962)
Dessins de Pierre Guyotat. Hiver 2015-2016
Dessins de Pierre Guyotat. Hiver 2015-2016
Frontispice à la gouache d'Éden, Éden, Éden (paru en 1970 aux Éditions Gallimard)
Fragment du tapuscrit original corrigé de Tombeau pour cinq cent mille soldats (paru en 1967 aux Éditions Gallimard)
DOCUMENTATIONS
General information

18, rue de la Verrerie

75004 Paris

Opening hours

Every day, from 11 a.m à 7 p.m

CONTACT

Dereen O'Sullivan // dereen@claudinecolin.com